Matt Gilbert


Brutal Blocks

Armada House, did not invade

perceptions in my youth. I barely noticed it,

stuck there, half-way up, yet another Bristol hill.

Too busy then, dreaming of The Smoke.

I left, it stayed, floating in its concrete way,

on Dove Street, above Stokes Croft. Near a pub

I liked for its vintage glazed green tiles. Pretty

certain it served Smiles: The Hare on the Hill,

survivor from a vanished age. When I’m back

these days, a locally-connected stranger, a vision

of a council block elsewhere has changed

my view. If I pass now, I pay attention

to this one’s form and shape. Don’t dismiss it

as generic, council high-rise, it’s charismatic –

especially at night. Inside, the colour of the light

can change from flat to flat. Never starkly yellow,

or bright white, there’s red and blue, while,

eight-floors up, some wag’s gone for purple.

Defying the grey façade’s straight lines, pigeon-spikes,

grimy, vertical waste pipes, fussily officious signs.

Beyond the glaring of the stairwell, sticky buttons

on the lift, I picture busy lives within: laughter, loving,

sleeping; mugs of tea, shared TV dinners. Then recall

another tower, where all this too had once existed.


Matt Gilbert is from Bristol, but currently gets his fill of urban hills in South East London. Poems in: Finished Creatures, Ink Sweat & Tears, The Rialto, Stand and Urban Scrawl among others. His debut collection ‘Street Sailing’ came out with Black Bough Poetry in 2023. 


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